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> Model Programs

- - > The Performing Arts Workshop Methodology
- - > Links to other Program Models

> Program Evaluation

- - > Planning for Evaluation

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Preparing a Logic Model
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> Artists-in-Schools Logic Model
- - - - > Strategies for Collecting Data

- - > Instruments and Assessments

- - - - >
Tips for Preparing Instruments
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> Performing Arts Workshop Instruments
- - - - > Links to Other Instruments

- - > Reporting and Presenting

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Performing Arts Workshop Evaluation Reports
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> Links to Other Evaluation Reports
- - - - > Artists-in-Schools Second-Year Evaluation Report for the U.S.
______ Dept. of Education (2004-2005)
- - - - > Second-Year Executive Summary for the U.S. Dept. of Education

- - - - > Artists-in-Schools First-Year Evaluation Report for the U.S.
______ Dept. of Education (2003-2004)

- - - - > First-Year Executive Summary for the U.S. Dept. of Education

Model Programs

Arts education programs use a variety of models. Some of the models used include:

  • Providing professional development to teachers to help them integrate more arts into their lessons
  • Bringing artists to the classroom through residencies
  • Funding arts curricula and creating arts requirements for students
  • Offering after-school arts programs
  • Building arts networks in the community with student involvement

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The Performing Arts Workshop Methodology

The Workshop’s mission is supported by a teaching methodology that has been developed in schools and community centers for over four decades. Specifically, the Workshop’s methodology:

  • Breaks down the creative process into perception, conception, expression, reflection, and re-vision
  • Uses improvisation as a way to develop young people’s problem-solving and communication skills
  • Stimulates critical dialogue among young people
  • Integrates culturally relevant content to inspire active learning in a variety of subjects

Performing Arts Workshop publishes several texts and manuals with detailed lesson plans for use in the classroom. All texts explain the Workshop methodology and can be used by anyone with an interest in arts education. To order resources, call us at (415)673-2634. The resources include:

On Stage in the Classroom: Performance Art from K through 8
The Workshop's primary text provides ideas to stimulate children's imagination, problem-solving, and critical thinking skills. Includes five concise chapters on classroom theory and practice for performing arts, as well as a resource bank of imaginative problems. ($25.00)

Lessons from the Workshop:
A Guide to Best Practices in Performing Arts Education
New!! Developed by the Workshop's Associate Artistic Director, Anne-E Wood, the Best Practices Guide is a hands-on tool for school administrators, teachers, artists, parents or arts organizations facilitating an artist residency program. The guide explains arts education within the framework of educational policy and practice in California, but the model can be adapted for many communities. In this guide, you will learn about the residency model, the history of Performing Arts Workshop's residency model and what 40 years of experience has shown to be the best practices for artists and teachers. ($7.50)

Moving Beyond the Desk
Developed by artists and educators, this innovative teacher's resource manual links classroom curriculum to critical thinking and the creative processs. Includes model lesson plans covering five subject areas and a glossary of terms. ($7.50)

English Learners and the Creative Process
Provides theatre-based language development tool for teachers to use with English Learner students. Outlines a specific approach to teaching English that incorporates improvisational and problem-solving exercises into lesson plans. Demonstrates how to encourage literacy and communication skills. ($7.50)

World Dance and Cultural Studies
Emphasizes dances from Brazil, China, and Japan, but can be used as a guide for teaching dances of any culture. The manual includes lesson plans, a bibliography of cultural resources, and ethnic songs with lyrics. A collaborative effort by our staff and San Francisco Unified School District consultants. ($7.50)

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Links to Other Program Models

There are several model programs with active websites, including:

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Program Evaluation

There are many reasons to evaluate arts education programs.

  • First, you want to know what kind of impact you are having on program participants. Are they learning about the arts? Do the arts help students learn other subjects?
  • Second, you want to be able to adjust your program to best meet the needs of your participants. Do the participants like the program? What aspects of the program can be improved upon?
  • Third, you want to be able to build support for the arts, and that often requires telling people your story. Evaluation helps you to tell your story and answer other people's questions. What does your program do?

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Planning for Evaluation

As you prepare to evaluate your program, pull together a group of people that will have a lot of different perspectives and ideas about what you offer. Host a meeting that offers everyone a chance to be reflective, and ask the following questions:

  • When someone participates in our program, what changes do we hope they experience?
  • When our program partners with another organization, what impact do we hope to have on the overall environment or how we do business?
  • How will we know we are successful?
  • Who can tell us we are successful? What information do those people already have? What can they easily tell us if asked through a survey, interview, or some other format?
  • What sort of measurement tools will work best with our participants and to tell us if we are successful?
  • What resources do we have for evaluation?
  • What do we want to learn from our evaluation?

The answers to these questions can be used to create a logic model and data collection instruments.

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Preparing a Logic Model

A logic model is simply a way of presenting the program, its theories, processes, goals and measures in an easy to read table format. The logic model answers key questions about the program.

  • Goals: What do you want to achieve?
  • Activities: What services do you provide? What else do you do to meet your goals?
  • Theory of change: Why do you do those particular activities?
  • Target population: Who is receiving services? Who will experience or show a change as a result of activities?
  • Indicators of success: How will you know your theory is correct (process indicator)? How will you know you have achieved your goal (outcome indicator)?
  • Measures: What will you use to show success?

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Artists-in-Schools Logic Model

Download: Artists-in-Schools Logic Model

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Strategies for Collecting Data

There are some general guidelines you should keep in mind when you are collecting data from participants, staff, and other interested people:

  • Only ask people things that they legitimately could know. Avoid asking people to judge what another person thinks or feels or about something that they would have no way of knowing.
  • Make instruments age-appropriate. Even very young children can provide you with ideas and feedback, but may do better in a group discussion than with a survey.
  • Bring the instruments to the person taking it rather than force someone to leave their environment. Except for focus groups, which work well by having people reflect outside of their normal routine, instruments should be administered in a comfortable and familiar setting.
  • Use pictures and examples to demonstrate concepts.
  • Build support for the evaluation ahead of time by including participants in determining what you are going to research and why.

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Instruments and Assessments

You will need to have some sort of instrument or assessment to evaluate your program. You can use things already being administered (i.e., school-wide tests) if appropriate, but you will often need to design your own or customize something to make sure the questions you have are being answered. The table below shows the strengths and weaknesses of various types of instruments.

Download: Types of Measurement Tools

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Tips for Preparing Instruments

Download: Tip Sheet for Preparing Instruments

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Performing Arts Workshop Instruments

The Performing Arts Workshop uses a variety of instruments to assess its programs, including:

  • Student surveys
  • Teacher surveys
  • Artist focus groups
  • Artist surveys

Download: Student K-5 Survey

Download: Student 6-8 Survey

Download: Teacher Post-Test Survey

Download: Artist Post-Test Survey

Download: Artist Focus Group Materials

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Links to Other Instruments

The following sites also have arts education instruments available:

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Reporting and Presenting

Once you've begun collecting data, people will want to know what you've learned. You can use a variety of ways to let people know what you've learned, including evaluation reports, annual reports, newspaper and newsletter articles, email listservs, and others.

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Performing Arts Workshop Evaluation Reports

Download: Artists-in-Schools Second-Year Annual Evaluation Report for the U.S. Dept. of Education (2004-05)

Download: Second-Year Executive Summary for the U.S. Dept. of Education (2004-05)

Download: Artists-in-Schools First-Year Annual Evaluation Report for the U.S. Dept. of Education (2003-04)

Download: First-Year Executive Summary for the U.S. Dept. of Education (2003-04)

Download: First-Year Demonstration Project Report for the CAC (2001-02)

Download: Second-Year Demonstration Project Report for the CAC (2002-03)

Download: Artists-in-Schools Program Evaluation (2001-02)

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Links to Other Evaluation Reports

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